It also supports my occasional fingerpicking. It is a favorite of fast players and lead guitar players. But now I’m having the mid life crisis and want to return. If you can wrap your fingers around your nuts , your nuts are to small. Fretwork is excellent, plays beautifully up & down the neck. I like that the 12 strings have a 1 7/8 inch wide fingerboard. Its a whopping 2″ at the nut. The finish is just too beautiful to hide under a piece of plastic that I don't need, anyway. My fingers are not fat, but my fingers do not have much flesh protruding past the fingernail line. Roughly 40mm (1.57″) from E to E, centre to centre. Because of its strength and longer “heel”, the Wide Fat neck produces warm tones with lots of sustain. I learned (sort of) to play guitar on a Goya 12-string acoustic. It's a flagship guitar shootout! Because of its strength and longer "heel", the Wide Fat neck produces warm tones with lots of sustain. Not meaning to sound too over-promoting, but my PCGC guitars are wide at top and bottom. Having fitted a ‘ big Lou ‘ 1,75” neck to a Fender Squier and found it a huge improvement I’d recommend this concept. Must have at least some beef in the back or horrible hand cramps! The necks are wide, like the new Gibson neck, the fat sort of feels Gibson'ish but isn't really the same. And no skinny depth necks! Perfected after years of prototyping, the wide-fat neck carve is based on designs Paul Reed Smith did in the '70s and '80s for Carlos Santana, Peter Frampton, and Howard Leese of Heart. I have been playing on and off for a year’s still learning really I’m 6 foot 1 inch and 290 lbs. From Warwick in Germany (www.warwickbass.com); has own distributor, Framus & Warwick Music USA,Inc Distribution Center, Nashville,TN; and seems to have five dealers in US. I alternate between it and a classical without muscle memory delays. (PCGC). It has a vintage Gibson-esque girth in the upper positions only with less depth and a subtle V in the lower positions. Frets are high and will have to be dressed. I don't mind the fat or thin necks. I´am an acoustic parlor player by hart. Its not quite as thick as the 50's Gibson, but its close. also, when you say a gibson neck, those necks vary a lot. Scale length 648mm (25.5″) But that’s the crux here – it’s not about the instrument, because there’s nothing wrong with a wide neck, it’s just a matter of: do YOU actually need one? I think you might still like it, but of course you're best off to get your hands on one and give it a try. Thank you for any replies. Personally I like it a lot. The 9 gauge strings were just a bit to slinky for me so I put 10 gauge on and was pleasantly surprised the intonation was still perfect. I have a Gordon Smith Gladiator (Strat-ish style) guitar, built in 1991. 2009 Paul Reed Smith Howard Leese Private Stock! I absolutely love this guitar. One of the reasons I’ve never bought an Eastwood. Thanks, Agile 310SE comes in a DAMN WIDE at 1 7/8″ wide at the nut. 48mm nut (almost 1.9″) I’m quite skinny, with thin fingers and much prefer the extra real estate. Your email address will not be published. No scratching and clicking The neck for some may take some getting use to as it is a bit chunkier that a LP but not a problem at all. ­ All Rights Reserved. Although I can’t express a reason other than “feel,” I don’t like going from a wide neck electric to a steel string acoustic that is less wide. WIDTH OF THE FRETBOARD AT THE NUT: Pattern, Wide Fat - 1 11/16" Pattern Thin, … His sound, his finger board, his weight . Totally blown away by the quality of this guitar! Perhaps another angle we could look at, is that wide neck guitars are also perfect for beginners and less experienced players, as it may be easier to try chords. Re: PRS Wide, Fat Necks vs Gibson 50's? Many people start on guitar playing a cheap Classical acoustic guitar (also known as Spanish or flamenco guitars) which are usually about 2″ wide (approx 49-52mm). The shape of the 2nd and 3rd finger from the middle joint is not straight from having them broken working and broken in fist fights when I was young. The Zarley Wide Neck Guitars was founded by Tracy Todd, who decided to make wide neck models after years struggling with playing standard guitars, and their instruments have been welcomed by players who fancied wide necks: Many “Heavy Rock” brands such as Ibanez, Jackson, BC Rich also make guitars with necks wider than the usual Fenders, Gibsons etc you see around. I modified a Gator GWELP hard case by removing the foam ramp and lowering the neck support. Meaty neck if you like that. Al is to compare acoustic parlor necks and for slide play. Because of its strength and longer "heel", the Wide Fat neck produces warm tones with lots of sustain. I feel there’s room for various widths, similar to how we all have string gauge preferences and neck profile. Bird inlays and the new logo design come standard. A few years ago, Gibson announced their 2015 range of electric guitars, which featured several changes that didn’t please many of their core customers – and one of those changes was a wider neck. Beautiful instrument, top guality finish, tight action, fantastic neck profile and ease of play. The 24.5” scale length, Wide Fat neck is instantly comfortable, and the SE 245 treble and bass humbuckers with dual volume and dual tone controls give the SE 245 a classic voice that is eminently recordable and gig ready. Search “NeckNotes for Classical” on Amazon. From experience, can anybody recommend any other brands which do very closely comparable neck sizes? Like others, I think 1 3/4″ for an electric 6 string would be perfect.

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